I knew James Patterson was one of the more prolific crime writers working today, but I did a double-take when I read a few months ago that he had signed a 17-book deal with his publisher to take him through to 2012 – that’s around six books a year.
I didn’t have the foggiest idea how he was going to pull that off until I saw that the cover of Worst Case attributes the book to Patterson . . . and one Michael Ledwidge. On closer inspection of Patterson’s many other titles, most of them, apart from the famous Alex Cross series, have been written in concert with others (a bit like Michelangelo and his students, a fan might say – Patterson is clearly a skilled delegator as well as a master crime writer)
Worst Case revives one of Patterson’s regular protagonists, Detective Michael Bennett of the NYPD, who is called to investigate the kidnapping of the teenage son of a billionaire industrialist. Several similar abductions rapidly ensue.
Although the police are stymied as to why wealthy young people are being targeted, we readers are in the advantageous position of being able to meet the kidnapper early in the book and learn that his lofty goal is to ascertain the degree of his captive’s social consciousness by quizzing them about social justice, environmental issues and related topics. All of this is connected to how the vast sea of money that supports their cosseted lifestyles is earned, and needless to say, our villain has rather strong views – so strong, in fact, that if the helpless kidnap victims don’t come up with the right answer, they die.
A few unfortunate teenagers do meet a premature end due to their lack of required knowledge. At the same time, the parents use their influence to turn up the heat on the authorities and the media (and a entertainingly annoying, obtuse deputy mayor, who makes a couple of memorable appearances), which brings fetching FBI agent Emily Parker into the story.
Worst Case is a good potboiler – there is nothing stunningly original about the plot, but the novel has some deft, appealing touches, my favourites being the scenes of Michael Bennett’s frantic home life. He has 10 (that is not a typo) children, all adopted with his wife, who passed away two years ago. Michael stoically combines full-time killer-hunting with raising them, with the help of his father, a priest, and a long-suffering nanny, Mary Catherine, who carries a torch for him. Can’t blame her – he is not the most fleshed-out of crime heroes, but his manner is unusually endearing.
For me, the family scenes (particularly an early passage in which he invites Emily home for dinner without warning her first what she will be walking into) add a layer of humanity and warmth to the book, which helps both to draw you to Michael and to offset the unpleasantness of what is happening to children elsewhere. I’d be interested to know if Patterson or Ledwidge is chiefly responsible for this.
The speed of production has meant this book is highly topical – the relationship of corporate malfeasance to the recession, and big-city terrorism, both warrant some of the authors’ attention.
3/5 Stars – Patterson books are a bit like buses, in that if you miss one, there’ll be another along shortly – and I see on his website that Worst Case is one of five listed for release in 2010 – but you can always be assured of an entertaining and diverting ride. Click here to listen to the Easy Mix Audio Review.
The Queen of New Beginnings by Erica James
For fans of light-hearted literature, Erica James will need no introduction; she’s written 13 bestselling novels with titles like A Breath of Fresh Air, Love and Devotion and It’s the Little Things, so you know you’re venturing into serious chick-lit territory when you embark on one of her books.
The Queen of New Beginnings has at its heart two primary characters. The first one we meet is Clayton Miller, an ostracized and deeply self-pitying comedy writer. He had a stellar career which came to a screeching halt around the time his long-term girlfriend left him for his best friend and writing partner. Unable to cope, Clayton has suffered a very public fall from grace and when we meet him at the novel’s opening, he has been banished by his agent to a remote house in the English countryside.
Enter Alice Shoemaker, a one-time actress and now voiceover artist who does some cleaning jobs on the side. Her first encounter with Clayton is a classic romantic-comedy ‘meet cute’, when she shows up to do some cleaning work at what happens to be her old childhood home and, for fun and because Clayton immediately strikes her as a pompous git, adopts the persona and accent of a Polish housekeeper called Katya.
They steadily overcome their initial hostility towards each other, and this is where the story really takes off. Through a series of conversations with Clayton, Alice recounts her experiences in the house and the highly dramatic events that occurred within her family (this makes for some unusually juicy reading, even by chick-lit standards); we find out how and why she became completely estranged from her father, and why she changed her surname so that none of her relatives could ever track her down.
Things develop romantically between the pair and it’s all going swimmingly until Clayton realizes that his writer’s block has been unstopped by Alice’s family story, and he finds himself writing a screenplay heavily based on her life. It’s all extremely personal, of course, and he knows that she would be furious and devastated if she found out – but when a production company wants to film it, and thus rescue his moribund career, Clayton finds himself having to choose between Alice and his work.
Ultimately, there’s not much in the way of suspense. Rather, it’s classic romantic-comedy writing in which it is clear the two protagonists will eventually find their way to each other but have to overcome things like pride and miscommunication and the more idiotic aspects of their own nature in order to do so. The journey is no less enjoyable for its predictability.
3/5 Stars - If you don’t know Erica James, it might help if I tell you that I found this novel to be very Marian Keyes-ish – it’s funny, with a good plot, and a reliable choice for the beach or the plane or just when you need some escapism. Click here to listen to the Easy Mix Audio Review.




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